Cast:
Bradley Cooper as Leon Kauffman
Vinnie Jones as Mahogany
Leslie Bibb as Maya
Brooke Shields as Susan Hoff
Roger Bart as Jurgis
Directed by Ryuhei Kitamura
Review:
Bradley Cooper is Leon, a photographer living with his supportive girlfriend, Maya (Bibb), a waitress at a nearby diner. Leon gets his big chance to woo a local art gallery owner, Susan Hoff (Shields), but when she delivers him some harsh truths about his work, he's forced to go deeper and get grittier before his photos can be deemed worthy to line Hoff's gallery. So, off Leon goes, into the bowels of the city, at first drawn to the subway by following a group of thugs who ultimately harass a young woman Leon saves. The next day, however, said woman is on the front page of the paper, reported "missing." His second jaunt to the subway introduces him to a tall man named Mahogany (Jones in a non-speaking role) which sets off an obsession in Leon and an eventual suspicion that Mahogany could be responsible for a rash of disappearances throughout the city. This naturally upsets his loving relationship with Maya and propels Leon down a blood-soaked path.
Midnight Meat Train starts off strong and wastes little time plumbing the depths of Leon's dedication to his craft. There's a sense of sympathy for Mahogany, evident in the Barker story, that's lost in translation. Still, Jones is a force to be reckoned with and his performance recalls the old days of cinema where so much expression needs to be read in the eyes and face.
There are some memorable kills on display and director Kitamura doesn't skimp on the blood. He also obviously doesn't mind the ambiguity Buhler's script offers in the end (a faithful conclusion) which is so goddamn refreshing in this day and age of exposition.
Questionable pacing issues aside, Midnight Meat Train is a welcome, adult R-rated horror film. A sobering reminder - hitting you like a slap to the face - that there are still plenty of Barker stories, however bizarre, ripe for adaptation. Midnight Meat Train was one and it may have taken some time to reach its final destination, but the wait was worth it. It's seedy, strange, creepy as hell and it relishes an exploitive gross-out gag here and there. That's a a ride I'll take anyday.
B+
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