A look back at Dead Snow (Dod sno).

Found this movie a little while back, downloaded it and loved it. If your into Evil Dead style violence and mayhem, there's plenty here to enjoy. Now, those who missed it are fortunate enough to pick it up on DvD and Blu-ray.



The premise of this movie is simple: A group of medical students are spending Easter Break by planning a ski trip in the desolate Scandinavian wilderness. Just like any good horror flick, the gang is greeted by a crazy local who stumbles into their cabin one night and explains the evils that haunt the area. And, of course they ignore the warnings until it's to late. Sure, it may appear this is one of those movies you've seen 1,000 before, but it gets better from there. The antagonists here are evil undead Nazi bastards. When you have a horror film, you want the scariest, most vile and gruesome villain possible - what could be more frightening than the zombified spawn of Hitler, possibly the most evil man on earth? An army of them, no doubt.

The first half of the film seems to be aiming to terrify you, wheres the Nazi zombies stay at a distance in the dark, but at about halfway point (when the sun is at it's highest, and the zombies come out) it's a pure gorefest. It's like your watching a video game on screen (the game Dead Rising comes to mind). The zombies, even wile out in sunlight, are among the best of them - the make up fx look menacing and stylish. And the gore, and there's plenty of it, is at it's finest.

Fans of classic splatter flicks such as The Evil Dead and Brain Dead will rejoice, because they don't skimp out on the red stuff here. Limbs are hacked off, zombies are disemboweled, and people are just torn to shreds. But the violence here is more along the lines of Sam Raimi rather than Lucio Fulci, and while it may be disturbing to some, it's more so humorous than anything. The fact that director Tom Wirkola has an eye for parody and paying homage is also very apparent in Dead Snow, as most of the movie seems to pay its respects to the Eighties slasher genre. However, it's Wirkola's ability to keep things moving with an approach that still feels fresh that keeps Dead Snow from feeling like just another retread of movies that have already been created.

Above all, Dead Snow is along the lines of films like Brain Dead and Evil Dead, where the gore factor is as fun as it is excessive, or if you just enjoy watching Nazi zombies getting splattered, then Dead Snow is definitely the flick for you.

Best Horror Movies of the Decade

My list of the best genre movies of the decade...
(and my ratings, out of 5)

2000 - American Psycho (Mary Harron) *****
2001 - Jeepers Creepers (Victor Slava) ***
2002 - High Tension (Alexandria Aja)***
2003 - 28 Days Later (Danny Boyle) ***
2004 - Dawn of the Dead (Zack Snyder) ****
2005 - The Devil's Rejects (Rob Zombie) *****
2006 - The Hills Have Eyes (Alexandria Aja) ****
2007 - Trick 'r Treat (Michael Daughtry) *****
2008 - Let the Right One In (Thomas Alfredson) *****
2009 - Zombieland (Ruben Fleischer) ****

Honorable Mentions:
Shaun of the Dead (Edgar Wright) ****
INSIDE (À l'intérieur) (Alexandre Bustillo & Julien Maury) ****
[REC] (Jaume Balagero) ***
Cold Prey (Fritt vilt) (Roar Uthaug) ***
Martyrs (Pascal Laugier) ***
The Descent (Neil Marshal) ***
GRINDHOUSE: Planet Terror (Robert Rodreigez) & Death Proof (Quentin Tarantino) ****
Behind the Mask: The Rise of Leslie Vernon (Scott Glosserman) ***

As you can see, with a few exceptions, the new decade hasn't been too good on horror movies.

Prolonged District 9 (2009) Review

Review:
Peter Jackson - better known as the mastermind not only behind the magnificent Lord of the Rings trilogy but a string of genre pictures appearing through out the 90's - produced this thrilling science-fiction film about an extraterrestrial concentration camp in Africa. District 9 also marks the directorial debut of South African director Neill Blomkamp. Taking a traditional sci/fi approach, Blomkamp examines contemporary society through a new perspective.


"There's alot of secrets in District 9..."


It's better off the less you know about this film before viewing it the better. In this case, the easiest way to clarify it would be to label it a sci-fi fueled indictment of man's inhumanity to oneself, be it against another race or an entire different species, in this case a species not even from this planet. The biggest difference depicted here that sets this film apart from any other alien invasion film is that the beings - dubbed here as 'prawns' due to their uncanny resemblance to insects - are not the invaders, yet nor are they peaceful visitors to our planet. Their refuges in a trash filled ghetto. Their mother ship isn't a glorious spectacle hovering over a city, it's a rust bucket. And that city isn't Manhattan or Los Angeles or any other glorious Metropolis , it's the slums of Johannesburg, Africa. The aliens are treated offal by the humans. I hope the inhabitants of Earth never come in contact with over worldly beings because the reality of how we interact with them may be similar to what's depicted here, which is a grim thought.


As a directorial debut, District 9 is a well crafted sci-fi thrill ride that deserves to be remembered for years to come not only for it's unique approach to the genre, but the message sent here. Not that this is a fable with an inner meaning to it, but it'll leave a deeper emotional impact on you than other brain numbing summer blockbusters about giant robots and action heros. This movie doesn't reach the tip of perfection one bit, but delivers more brainpower than your average apocalyptic fantasy. Not to mention a first time for lead actor Sharlto Copley, specifically hand picked by director Blompkamp and personally approved by Jackson. You'll be wowed by Copley. His heart-rending tour de force deserves comparison to Jeff Goldblum's in The Fly. And to me, that's high praise. District 9, with a chump-change budget of $30 million, soars on the imagination of its creators. This baby has the stuff to end the movie summer on a note of dazzle and distinction..

Paranormal Activity (2009) Review

Review:
Yes, Paranormal Activity managed to do something that almost no other ghost movie in the past 25 years has managed to do: actually be scary. Like Blair Witch, it's presented entirely through self-shot footage (or from a fixed tripod in their bedroom), and ramps up from simple noises to truly freaky violent acts. The increasingly terrifying nature of the scares is what really makes the film work. Not trying to be a tough guy by saying movies don't scare me, but movies don't scare me. Maybe once in a while, when all the lights are dim and I'm all alone - and this is only under certain surcumstances - if I'm in the right mood I'll get a little freaked out, and I still don't recall the last time this occurred. Well, if I had the opportunity to watch this film in said environment, it has the potential to be truly frightening. I'll admit, it's not a perfect film but any movie that prevents me from taking that dark and lonely walk down the hall from bedroom to bathroom to take a leak is more than worth all of my praise. So congratulations go to you, Paranormal Activity, for making me look over my shoulder if I happen to hear a creak in the floor boards or some other unexplained, unexpected noise.

But how scary is it, really? Is it like everyone says, the scariest movie ever? I'll have to say no, it's not. Although some parts are terrifying in their own right, the movie itself could have been better. Much like Blair Witch, this movie could come off as extremely terrifying to some people, yet terrible to others. You either get it or you don't. If you got Blair Witch and understood what was going on there, if you put yourself in their place, it's a truly horrifying experience. But, if your one of the people who either wasn't paying attention or just didn't get what was going on, it'll just be a nauseating movie going experience. The same applies here, but while I think Blair Witch is the stronger film by far, I think it's easier to follow along with Paranormal Activity. It plays off all your contemporary fears: fear of the dark, fear of being watched, fear of the unexplained, and of course fear of the supernatural. Noises play a key role here, but there not found in cheap jump scares. You can almost follow this entity (you never truly discover what it is) about the house by hearing loud thuds and strange sounds. It seems very real, and seeing the actual monster is not the scary part, but just knowing it's there but not seeing it is the scary part.

Sure, you could walk out of the theater with your head held high without flinching the whole film, but once you get home, no matter how brave you are, once you hear a door slam or a board creak somewhere in your house your head will be peering over your shoulder examining everything in sight. And that's the scary part, after the movie when your laying in your bed and you hear that sound, but don't know where it came from, or what caused it.

Halloween: 20 Years Later (H20) Review

"I am not responsible for you. That's it, I've had enough. I can't take it anymore mom. He's dead. Michael Myers is dead. "

Review
This is the best Halloween sequel besides the second movie. I just wanted to get that out of the way. If you were to watch any Myers movies other than the first two, follow this films intentions and forget all the lousy installments in between. Because you have to admit, it was getting to the point of self parody (although it achieved that title in Resurrection), you couldn't take Michael seriously any more. The stories suffered the sequel curse, they just went downhill into absurdity, adding new characters to the family and unneeded plot twists. But, lucky for the fans a director with a little bit of slasher background stepped up to the plate to take a swing at the series.


Directed by Steve Miner (Friday the 13th parts 2 & 3), and written by Kevin Williamson (Scream), H20 was really a breath of fresh air not only for Michael Myers, but for horror movies in general in this period. One of the best things about this film is it's a return to form. Michael Myers was intended to be the shape. The boogeyman lurking in the shadows. This is how he appeared in the first two films, but then transformed into a hulking Jason clone from parts 4 and on. Sure, he's not the same dark figure as in the first, but he's still an anomaly and not supporting a pair shoulder pads (more on that later). This movie isn't about relentless blood shed like the latter sequels in slasher franchises, but aims for suspense. This is perhaps why it has one of the better plots since the first, the screenplay is gold compared to earlier installments. Although it has some impressive kills, it doesn't rely of that alone. For once you root for the victims, maybe it's just jamie lee Curtis's character of Laurie Strode, but you actually want to see them prevail and beat Myers and escape. Oh, and does Michael ever take the beating here. He's constantly being knocked down and out - just enough for the victims to escape his grasp, but how often do you see the killer being knocked around? But there's enough scenes that retain Myers strength. He's not completely unstoppable, just pure and simply evil remember?


Once again, Michael Myers is at his best here. You delve deeper into his psyche, but don't learn to much about him. He still remains the mysterious figure he as ment to be, but you learn about what he thinks. He's smart. He knows what he wants and how to get just that. Not only that, but his appearance is for once truly frightening. This has been an issue through out the series. It seems as if Michael's visage has become worse, cheeper and less terrifying as they went. I understand that after films become huge successes that people manufacture costume pieces so little boys and girls can walk around pretending to be Michael Myers and the like...but that doesn't mean the film sequels should use those costume pieces. Here, Michael's mask is great. A return to the original style. I liked the more open eye holes they did for this mask, as it plays up the more human side of Myers this entry went for.


H20, which is short for Halloween: 20 years later is defiantly one of the strongest sequels to date. It doesn't hold up as good as Halloween 2 (well, I guess I gotta say the original Halloween 2 now), but besides that this is the one to watch. Do like they tell you, skip out on all that about Laurie's daughter and that nonsense about the Mark of Thorn cult, the real story lies on Halloween day 1978, and Halloween day 1998. I'm saying this as a huge fan of the series and of Michael Myers (been sporting the mask and overalls every halloween).